Irish Times Interview clarification regarding EU Fisheries Policy

I assumed that my recent interview in Ireland’s largest newspaper, the Irish Times was going to be a simple story about why I was in Ireland for the Irish Skipper Expo doing a slideshow presentation about my life as a commercial fisherman and photographer in Alaska, and my recent tour of 8 European countries photographing commercial fishermen around the EU.  Instead,  the editors that shaped the article falsely quoted me in a headline that thrusts my misquoted opinion into sydication around the blogosphere.   The headline reads”  EU fisheries policy an attempt to ‘wipe out’ coastal fishing communities.  This post is my rebuttal to a poorly titled interview that involves me in a larger debate  in which my (falsely quoted) opinion should not be the centerpiece of the article as I’m clearly not an expert on European fishing politics.

1. The headline is a dramatic exaggeration.  I’m smiling and holding a crab in the picture.  Why should the headline be about fish politics? I’m here in Ireland to show my photography, not preach my opinion on fisheries politics.  I would have never said that the EU common fisheries policy is trying to “wipe out” coastal fishing communities.  I would just never say something like that.  Coastal communities are surely not benefitting from the current policy but I do not believe that anyone is trying to “wipe out” communities. It’s more complicated then that. Unfortunately, no one that I’ve met in Europe is happy with the current EU fishing policy.   In the interview, I had only  given examples of how I thought it would be beneficial to the coastal communities if there were, for example: less quota restrictions on small inshore mackerel jiggers as the amount of fish caught by small inshore jiggers is minuscule compared to that of the discarded fish of the larger vessels. From my limited experience travelling in Ireland, the Mackerel jigging community in Donegal I joined seemed to me like an example of a clean and healthy small scale fishery.

2. “Fishing Dude”  Who’s quotes are that?  When has anyone ever called me a “fishing dude”?

3.  I never said that I found some of “the most dramatic examples” of the threat to small boat fishing in Scotland and Ireland.  I said that I experienced the highest level of worry about their future,  from fishing communities in Ireland and Scotland.  Coastal communities are suffering all around Europe, but people here seem to be even more concerned then the rest.

4. I never said that EU fisheries policy makes it “almost impossible” for small boats.  I do think that the policy is not benefiting small boats, but I’m just not that dramatic about how I express myself.  Small boat fishermen are generally less united then the larger fishing companies, and therefore probably have less influence on shaping policy for their benefit, as is the case the world over.  I do not know the details of EU fishing policy, I only know what I’ve learned from talking to fishermen around Europe and my photography is not politically motivated, therefore this is not an argument for me.

5. The quote ” They barely get enough quota to survive, compared to the much larger vessels which get most of the quotas and can discard up to 50 percent of their catch”.  Everyone agrees that fish dumping due to the selective quota system is one of the biggest problems facing the fishing industry.  If there were measures to taken to control dumping, and allow fishermen to actually sell their bycatch, then its possible that the fishermen could make more money, land more fish, yet kill less fish overall.  More quota could then be allocated to the inshore to medium sized boats and everybody wins. This is my simplified opinion of a much more complicated argument and I feel that the article should have expressed more of my hopeful optimism then this doomsday language that it meant to attract readers to dramatic headlines.

6. I mentioned the success of the observer program in Alaska and the lack of details might be confusing.  100 percent of Alaska’s larger trawlers have scientific observers on board to collect data on the fish being captured.  Obviously fishermen do not want cops aboard their boats watching their every move, but in Alaska, these observers have a fairly harmonious relationship with the fishermen they live with on a daily basis. Observers are primarily on board to gather data that would benefit the future of the fish stocks.   It might also help prevent the dumping of undersized fish… a practice which is driven by market forces.  Everyone does it in order to compete and deliver larger, quality fish.  So, I think an observer program, at least on the largest trawlers such as in Alaska, could be an idea explore.

In conclusion, I’m a photographer with a love of commercial fishing, fish, and the culture of people who make their living from the sea.  My pictures are motivated by a desire to share this love of fishing with the world, and to hopefully inspire, educate, and provide a historical record of this period in fishing history worldwide.  I’m an advocate for sustainable fishing practices, but by no means consider myself an expert on the matter nor and expert on the fishing policy of foreign nations.

OPB Slideshow and Interview soonish

Last month, I was interviewed by David Miller (real nice dude) from OPB studios in Portland.  Dave just posted an online slide show with me talking about some pictures.  A full blown radio interview follows on March 5th at 1pm, part of the “Speakeasy” series on Oregon Public Broadcasting (NPR)

Pictures from FFDG Show in San Francisco

Reuniting with San Francisco was amazing. It’s great see how vibrant and grown up the SF art scene has become since I moved away 8 years ago.  Fish-Work opened at Fecal Face Dot Gallery opened on Friday, Feb 11, 2011 and will be up til the end of the month.  This will be the last show in this space before John and Jessica Trippe move to a new space in lower Haight.  Drop in a pick up a signed copy of my new book Fish-Work: The Bering Sea at the gallery, or just say hello to a couple fine individuals.

John and Jessica Trippe with Corey Arnold picture Ben and King from solo show at Fecal Face Dot Gallery in San Francisco, Fish-Work, Graveyard Point.

Jessica and John Trippe with "Ben and King, 30"x40" at FFDG photo: Corey Arnold

John and Jessica Trippe with Corey Arnold picture Ben and King from solo show at Fecal Face Dot Gallery in San Francisco, Fish-Work, Graveyard Point.

Fish-Work exhibition at FFDG, San Francisco photo: Corey Arnold

 Corey Arnold picture Ben and King from solo show at Fecal Face Dot Gallery in San Francisco, Fish-Work, Graveyard Point.

Fish-Work exhibition at FFDG, San Francisco photo: Corey Arnold

John Trippe, Jessica Trippe, Corey Arnold, solo show at Fecal Face Dot Gallery in San Francisco Fish-Work Feb 11, 2011

Fish-Work at FFDG, San Francisco photo: Corey Arnold

Corey Arnold with Bering Sea Birthday and Kitty and Horse Fisherman, solo show at Fecal Face Dot Gallery in San Francisco Fish-Work Feb 11, 2011

Corey Arnold with "Bering Sea Birthday" and "Kitty and Horse Fisherman" photo: john Trippe

John Trippe, Jessica Trippe, Corey Arnold, solo show at Fecal Face Dot Gallery in San Francisco Fish-Work Feb 11, 2011

John and Jessica Trippe, Corey Arnold at FFDG photo:some random guy off the street

Some nice websites helped promote the show including Hi-Fructose, Hypebeast and My Love For You. plus the SF Chronicle printed a double page spread poster in the Arts section (96 hours) of my “Kitty and Horse Fisherman” on Feb 10, 2011.  More photos of the opening party will arrive on Fecal Face Dot Com in the near future! Thanks everyone.


Fecal Face Dot Gallery Solo Exhibition opens Friday Feb 11, 2011

I’m in my former home of San Francisco getting ready for my show which opens tomorrow, Friday Feb 11, 2011 at 6-9pm at the Fecal Face Dot Gallery.  I’ll also have signed copies of my new book, Fish-Work: The Bering Sea for sale and will have my pen handy from 6-7pm on friday.  Come by and say hello!  Street Party! Below is the press release via Fecal Face.

Lesser Spotted / 2011 / 20x27inches / c-print / #1/10 / photo: Corey Arnold

FISH-WORK
Photographs by Corey Arnold
Opening: Friday, Feb 11th, 2011 (6-9pm)
@FFDG

Portland based photographer and fisherman himself (Corey’s starred on the popular show Deadliest Catch), Corey Arnold, has been traveling the world documenting the world’s fisherman since 2002. His show at Fecal Face Dot Gallery (opening Feb 11th, 2011) will feature a selection of photos featured in his new book, Fish-Work, Published by Nazraeli Press 2010 & available online here (Corey will be signing copies of his book from 6 to 7pm during the opening).

In 2009 PDN named Corey one of the top 30 emerging photographers. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

Fish-Work is the title of an ongoing life project documenting my journey as a commercial fisherman in Alaska and my travels abroad exploring fishing cultures around the world. Since 1995, I’ve worked seasonally as a crab, salmon, cod, and halibut fisherman in Alaska. But it wasn’t until 2002 that I picked up a camera and got serious about telling the story of this unique little world I’d stumbled upon.

I have a love-hate relationship with commercial fishing. The work is often grueling and mundane, sometimes dangerous and soul crushingly repetitive. But inversely, there is beauty and freedom in the act of manual labor, surrounded by a vast and remote sea wilderness. For a fisherman, the reward is often found in the amazing stories of triumph, disaster, and pride that are brought home to the civilized world. I’ve chosen to tell my story in photographs.

This selection has been culled from my most recent three month journey (commissioned by the PEW Charitable Trust) living amongst European fisherman in Spain, France, the Netherlands, Scotland, Greece, Germany, Poland, Norway and Ireland. They are accompanied by my images from seven years of work aboard the Bering Sea crab boat Rollo and my upcoming series Graveyard Point, the name of the seasonal salmon fishing community I’m a part of in Bristol Bay, Alaska.Corey Arnold

Tearing / 2011 / 20x29 inches / #1/10 / c-print / photo: Corey Arnold

About Corey Arnold
Portland based photographer Corey Arnold (34), travels the world shooting magazine assignments and personal projects while moonlighting as a commercial fisherman in Alaska 2-3 months per year. His photographic chronicles of the commercial fishing lifestyle in Europe and Alaska have been exhibited in galleries worldwide. His work has been featured in The Paris Review, Juxtapoz, Artweek, Italian Rolling Stone, Esquire, PDN, The Guardian UK, The Chicago Tribune, and Outside Magazine. PDN named him one of the top 30 emerging photographers for 2009. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

Photos from Fish-Work Europe Opening at Charles A. Hartman Fine Art – Dec 2, 2010

I’m a bit late on posting, but just in case you missed my solo show at Charles A. Harman Fine Art in Portland last month, here are some pictures. This friday, I’ll be opening a new solo show at Fecal Face Dot Gallery in San Francisco.

photo: Daniel Cronin

photo: Daniel Cronin

Fish-Work: The Bering Sea Book now shipping!

My first monograph, published by Nazraeli Press has arrived today and will ship tomorrow! The book is limited to only 1000 copies and pre-ordered copies have been going fast so now’s a good time to order.  All books ordered through my online bookstore www.fish-work.com are signed copies.  Here is a sneak peak of some of the spreads.  More information at www.fish-work.com

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - www.coreyfishes.com

Gulf Crossing - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Corey Arnold - Fish-Work: The Bering Sea

Eagle Welcome

Eagle Welcome - © Corey Arnold 2010

I’m  currently sorting through the last two years of unpublished travels.  Heading back to Dutch Harbor in early January to hang out with more eagles.

Hanging Shit on Antlers

My really good buddy Greg and his lovely lady friend Jessica came up with a really nice functional organic product/gift idea and I’m not just saying so that he will flow me free antlers. Antler and Co. makes wall mounted antlers with special hardware to stick directly out of your wall and hold a lot of heavy stuff like coats, books, axes, dead baby seals, and whatever else you have laying around the house that might look great hanging from an antler.  They are pretty class looking items, and best of all, the design, packaging, custom stamped and numbered metal bands, cedar chips as packing material, etc make the whole experience of Portlandizing your house with Antlers easy and a pretty cool gift.   I’m about to make a whole wall of these things displaying some of my favorite photography books at home.   Check the website! www.antlerandco.com

Antler and Co.

Antler and Co.

Greg is also an impressive builder, inventor, and photographer.  He’s got some nice photos on flickr from Iceland, and pictures of a new timber frame cabin that I wish I would have helped them build in northern Minnesota this year.

Group Show at 111 Minna in SF Opens Dec.2

If you happen to be in SF on the night of my solo show opening in Portland, I’ll have one piece in this massive group show opening on the same night!  Lots of great people, and all art under 11×14 inches!

111 Minna Gallery would like to invite you to our massive year end group show, celebrating 111 of our very talented friends, family members and artist favorites.  Each artist will have 1 single contributing piece to the show, collectively making it an eclectic, interesting and fun group show.

Please join us for this, sure to be epic, opening reception!

111 proudly presents (in no particular order):

Kelly Tunstall, Jesse Pollock, Robert Bowen, Bill Dunlap, Jeremy Fish, Alex Pardee, Chris Brennan, Mike Giant, Nate Van Dyke, Audrey Erickson, Micah LeBraun, Bo Heimlich, Tim Schafer, Mike Davis, Matt Furie, Pacolli, Marco Zamora, Jay Howell, Ruthie Swanson, Dave Mabry, Brian Gilbert, Mildred, Mario Wagner, Junko Mizuno, Jacob McGraw, John Wentz, Deth P. Sun, Jake Watling, Martin Ontiveros, Justin Lovato, Andrew McClintock, Ross Pope, Erin McCarty, Brett Amory, Ryan De La Hoz, Jason Jagel, Kinsey, Corey A, Seth Armstrong, Stacey Rozich, Jason Adams, Michael Beinhorn, Ferris Plock, Mia Christopher, Mike Bertino, Aiyana Udesen, Alex Chiu, David Cook, Ryan Coffey, Sean Brimer, Yoni Matayaou, Mike Steffan, Kelly Nicolaisen, Jesse Gidcumb, Isabel Samaras, Hayden Menzies, Russ Pope, Kyle Field, Jeremy Tinder, Arlo Jamrog, John Casey, Ernest Doty, Frank Carter, Rob Reger, Ben Tour, Tracy Timmins, Brian, Dave Correia, Connor Williumsen, Brad K Alder, Andreas Trolf, Rob Williamson, Skinner ,Cody Cochrane,Heather Gabel, Gabe Castellanos, Michael Slack, Brooke Candy, Pakayla Biehn, Mark Mulrony, Annie Galvin, Adam Avilla, Johnny Bonnell, Adam 5100, Matt Crookshank, Taylor Wessling, Darryl Peirce, Charmaine Olivia, Emilly Scannell, Todd Noble Holloway, Jesse Balmer, Gina Contreras, Seth Neefus, Jennybird, David Torch, Josh Yule, Zack Schlemmer, Scott Greenwalt, Parskid, Greg Speck, Ben Johston, David Fallis, Sergio Navarro-Duran, Ian Mullen, George Webber, Mark Todd, Jason Yim, Jason Cruz, Winston Smith, Jessica Trippe, Rogelio Martinez, Dennis McNulty, Michael Steffen, Leslie Winchester, Sergio Navarro-Duran, Llewellyn Bryan Dawson, Dennis McNulty, Bram de Martelaere.

__________________________________________________________

Opening Reception:
Thursday, December 2nd
5pm-late.  21+

111 Minna Gallery
111 Minna Street
San Francisco, CA.
94105

415-974-1719

Fish-Work Europe additions

I’ll be adding new images to the new FISH-WORK Europe portfolio on my website throughout this week leading up to my exhibition at Charles A. Hartman Fine Art in Portland, OR on Thursday.  The pictures were taken in Ireland, Scotland, Poland, Germany, Netherlands, France, Spain, and Greece this year and part of a broad project,  documentating the state of the commercial fishing industry in Europe and sponsored by the PEW Charitable Trust.

Lunar Plant Workers, Peterhead, Scotland / Corey Arnold 2010

Dogfish Nap, Guilvinec, France / Corey Arnold 2010

Website Overload

If you are trying to get on my website, it’s gone loco and there is probably no support til after the holiday weekend.  Note to self:  do not put out a new photo series, do a big mass email announcing book/ show /etc. on a holiday weekend when there is a bandwidth limit (that I didn’t know about) and no support. Here is a new picture that you can see in person at my solo show at Charles A. Hartman opening Tuesday, Dec. 2

Shark Men/ by Corey Arnold / 20x27inches / Chromira C-Print / Vigo, Spain 2010

FISH-WORK Europe: Solo Exhibition Dec. 2nd in Portland

Join me for the opening reception of my new FISH-WORK Europe series at Charles A. Hartman Fine Art in Portland Oregon on first Thursday, Dec. 2, 2010 5-8:30 pm.  I’ll also be signing copies of my new book, FISH-WORK: The Bering Sea, now available for preorder and published by Nazraeli Press!

Sole Hunter, 30x40 inches, C-Print, Dutch Beam Trawling in the North Sea by Corey Arnold

Charles A Hartman, Corey Arnold, Fish-Work Europe

Charles A. Hartman Fine Art
154 NW 8th Avenue
Portland, OR 97209
Dec 2, 2010 thru Jan 15, 2011
Opening Reception Dec 2, 5-8:30 pm

FISH-WORK: THE bering sea Photo book!

I’m very excited to announce the release of my first photography monograph published by Nazraeli Press. FISH-WORK The Bering Sea is an 80 page, large format book of images from my seven years working as a commercial fisherman in the Bering Sea waters of Alaska.  It was an honor to work with the very kind Chris Pichler (founder of Nazraeli Press) on the design and layout of the book.  Nazraeli has long been one of my favorite photography book publishers and has in his catalogue some amazing printed matter by many of my favorites: Todd Hido, Gus Van Sant, Alesssandra Sanguinetti, Ralph Eugene Meatyard, Daido Moriyama, Michael Kenna, and Mark Steinmetz.

You can pre-order SIGNED copies direct from my studio in the new Fish-Workshop online.  The first edition is limited to only 1000 copies, so I’m not sure how long they will last! Books will be shipping sometime in late December. Below is the press release with a bit more info:

Fish-Work: The Bering Sea

Fish-Work: The Bering Sea

Corey Arnold Fish-Work: The Bering Sea  Nazraeli Press

Spread from Fish-Work: The Bering Sea

Fish-Work: The Bering Sea
Photographs by Corey Arnold
ISBN: 978-1-59005-306-5
Hardcover, 15 x 12 inches, 80 pages, 47 four-color plates
Published by Nazraeli Press 2010

The photographs in “Fish-Work: The Bering Sea” capture moments from Arnold’s grueling retreats as a crew member aboard a fishing boat to the Bering Sea. With scenes of boat life so vivid that some shots can induce fear or seasickness, the artist’s perspective also reveals the tender soulfulness of a fisherman’s extended life at sea. His skillful compositions depict the simultaneous bravery, toil, humor and gumption that “fish-work” demands. Yet the series also illuminates the aesthetic sublimity that can only be experienced, ultimately, by those willing to risk their lives where the sea breaks its back. Having survived several seasons afloat these icy and unforgiving waters, we are lucky that Arnold has taken time to document his artistic impressions of this rare lifestyle and extended us a vicarious glimpse.

A graduate of the Academy of Art in San Francisco, Corey Arnold lives and works in Portland, and now runs a commercial salmon fishing boat in Bristol Bay, Alaska.  His work has been exhibited worldwide.  Recent publications featuring Arnold’s work include the Juxtapoz Photo Book, Esquire, The Sunday Telegraph, Rolling Stone, Outside, The Paris Review, The Collector’s Guide to Emerging Art Photography and PDN’s 30.

“Fish-Work: The Bering Sea” is published by Nazraeli Press in conjunction with Charles A. Hartman Fine Art. It is printed in an oversized format in a first edition of 1,000 casebound copies.

Disjecta Auction Tomorrow Night in Portland

I’ve got one piece being auctioned off among 50 other nice Portland artists in Disjecta’s annual benefit auction opening tomorrow night.  See you there!

BID AT THE BUNYAN – NOVEMBER 13th

The time is NOW for Disjecta’s 4th Annual Art Auction ‘Bid at the Bunyan’.

SATURDAY, NOVEMBER 13
7-11 PM / 8371 N Interstate Avenue /Portland, Oregon/ MAP!

Purchase your tickets online, or register at the door
21+, general admission $20

Greece is the new Norway

Norway is my favorite country on Earth, but life near a warm sea with fresh octopus hanging on racks has its perks as well. I had an enormously good time traveling around Greece this September on assignment for En Route Magazine. I can’t say enough about how great this magazine is to work for.  5 star hotels and my own private yacht for a few days!  It was not the type of boat travel or weather that I’m used to, but I’ll take it. Below are some out takes.  I’ve been getting into the posed group portrait lately and will soon apply for my dream job as an Olan Mills photographer.

© Corey Arnold

© Corey Arnold

© Corey Arnold

© Corey Arnold

© Corey Arnold

© Corey Arnold

Cinders Show in Brooklyn

I’ve got one photograph hanging in a show in Brooklyn that opens tomorrow.   Here is the info below.
Sorry I won’t be present as I am currently trimming my beard in the bathroom of a pub in Harlingen, Netherlands.

Plain Air
Opening Reception Friday October 15th 7-10pm
Curated by Brian Willmont

Cinders Gallery
103 Havemeyer St. Store#2
Brooklyn, NY 11211 (map)

patrick casey

Patrick Casey

Corey Arnold, Patrick Casey, Mark Chariker, John Copeland, Sophia Cara Frydman, Joseph Hart, Cody Hoyt, Alex Lukas, Eddie Martinez, Niall Mcclelland, Steak Mtn., Caleb Neelon, Hilary Pecis, Eric Saline, Zac Scheinbaum, Andrew Schoultz, Mark Schoening, Conor Thompson, Paul Wackers, Brian Willmont

Plain Air is the second in a series of exhibitions put together by the loose-knit collective/publishing-printmaking project called Apenest. Beginning as a way to create a rad and cost-effective art book, artists Brian Willmont and Cody Hoyt started Apenest by collecting artwork from their favorite artists, selling the work to collectors themselves and then taking the proceeds to self-publish their first book featuring everyone who contributed. They have since published 2 massive, beautiful full-color books that act as a wonderful compendium of underground contemporary art and have begun exhibiting their work together in a series of thematic group shows.

Plain Air explores the theme of landscape as the space we inhabit, falling somewhere between reality and fantasy. Some artists address the topic head on; Patrick Casey’s updated New England wall art puts a shocking twist on familiar imagery, while Conor Thompson has a more topical approach focusing on the alienation of the modern landscape. Others transform the idea of landscape completely as a form of space beyond physical constrictions and break into its total abstraction.

Cinders Gallery

103 Havemeyer St. Store#2
Brooklyn, NY 11211 (map)